The humiliation of Western history.
Those who zealously seek to pollute the past are very much devoted to gaining total cultural hegemony in the present.
The most important issue at stake in the culture war is who controls the narrative through which society understands itself. At present, those controlling the narrative appear to be committed to reorganising society’s historical memory, and disputing and delegitimising its ideals, from liberty to equality. Take Netflix, for example. It is dominated by programmes, like Dear White People and Explained: The Racial Wealth Gap, that recast the Western way of life and Western history as irredeemably malevolent……….
Unlike previous initiatives designed to encourage people to look critically at uncomfortable truths about their past, the 1619 Project offers a ‘take it or leave it’ version of history. Its aim is not to criticise existing historical narratives about the US. It is to negate and even morally annihilate the very foundation on which the US was built. As the NYT put it: ‘Our founding ideals of liberty and equality were false when they were written. Black Americans fought to make them true. Without this struggle, America would have no democracy at all.’
In rejecting the founding ideals of liberty and equality as false, the 1619 Project strips America’s founding document, the Declaration of Independence, of every shred of moral authority. It also erases the profound contribution the American Revolution made to the development of the Western ideal of freedom.
The 1619 Project does not offer any new insights into the past. Rather, it seeks to contaminate the past and render it toxic. Indeed, one of the main contributors to the project, Nikole Hannah-Jones, admits that its principal objective is not to shed light on the past, but to undermine the moral authority of the present. ‘I’ve always said that the 1619 Project is not history’, she writes. ‘It is a work of journalism that explicitly seeks to challenge the national narrative and